The effect of his ideas can be traced in many of the arts throughout the 20th century their influence spread beyond composition into conducting, philosophy, literature, the visual arts and theatre. His controversial writings on music, drama and politics have attracted extensive comment in recent decades, especially where they express antisemitic sentiments. Until his final years, Wagner's life was characterised by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His thoughts on the relative contributions of music and drama in opera were to change again, and he reintroduced some traditional forms into his last few stage works, including Die Meistersinger von Nürnberg ( The Mastersingers of Nuremberg). It was here that the Ring and Parsifal received their premieres and where his most important stage works continue to be performed in an annual festival run by his descendants. Wagner had his own opera house built, the Bayreuth Festspielhaus, which contained many novel design features. His Tristan und Isolde is sometimes described as marking the start of modern music. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His compositions, particularly those of his later period, are notable for their complex textures, rich harmonies and orchestration, and the elaborate use of leitmotifs-musical phrases associated with individual characters, places, ideas or plot elements. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen ( The Ring of the Nibelung). Initially establishing his reputation as a composer of works in the romantic vein of Weber and Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama, and which was announced in a series of essays between 18. ![]() ![]() Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. However, his thoughts on the relative importance of music and drama were to change again, and he reintroduced some traditional operatic forms into his last few stage works, including Die Meistersinger von Nürnberg.Wilhelm Richard Wagner (pron.: /ˈvɑːɡnər/ German: – 13 February 1883) was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas (or, as some of his later works were later known, "music dramas"). Wagner realized this concept most fully in the first half of the monumental four-opera cycle Der Ring des Nibelungen. This would achieve the synthesis of all the poetic, visual, musical and dramatic arts and was announced in a series of essays between 18. ![]() ![]() Initially establishing his reputation as a composer of works such as The Flying Dutchman and Tannhäuser which were in the romantic traditions of Weber and Meyerbeer, Wagner transformed operatic thought through his concept of the Gesamtkunstwerk ("total work of art"). Perhaps the two best-known extracts from his works are the Ride of the Valkyries from the opera Die Walküre, and the Wedding March (Bridal Chorus) from the opera Lohengrin. Unlike most other opera composers, Wagner wrote both the music and libretto for every one of his stage works. Wagner's compositions, particularly those of his later period, are notable for their complex texture, rich harmonies and orchestration, and the elaborate use of leitmotifs: musical themes associated with individual characters, places, ideas or plot elements. Wilhelm Richard Wagner (German pronunciation: - 13 February 1883) was a German composer, conductor, theatre director and polemicist primarily known for his operas (or "music dramas", as they were later called).
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